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Retrocausality

by Lemna

/
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    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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      €7.99 EUR  or more

     

  • 2 x Limited Edition Coloured Vinyl 12"
    Record/Vinyl + Digital Album

    - Retrocausality: A Posteriori limited edition coloured vinyl 12"
    - Retrocausality: A Priori limited edition coloured vinyl 12"
    - Both 12"s in reverse board sleeve with artwork sticker

    Includes unlimited streaming of Retrocausality via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.
Supervoid 06:54
2.
Flatland 06:14
3.
Platonia 05:39
4.
Tesseract 06:26
5.
6.
Sattva 08:02
7.
Bardo 06:53
8.
Thusness 05:45

about

Japanese artist Maiko Okimoto aka Lemna returns to Horo following her acclaimed EP for the SNTS helmed label ‘Sacred Court’. Retrocausality is 2 EP’s that continue her genre-less approach to electronic music. Aligned most closely to the Grey Area sound that Sam KDC and ASC have been expanding on in recent years, Maiko’s approach is singular. The reality of her music working on dance-floors for Techno audiences is a happily incidental result and not a structural design. Maiko’s music comes entirely from an innate feeling transferred into grooves and ethereal ambience.

Retrocausality works with the concept of the crossover between the spirit world and science - for example, the commonality of thoughts and theories in Buddhist philosophy and Quantum Physics. The realms of these are divided, but essentially the concepts are similar.

The EP’s title ‘Retrocausality’ implies that we can perceive this world in terms of both ‘A Priori’ (from cause) and ‘A Posteriori’ (from result).

The tracks on Retrocausality represent an accurate cross section of Maiko’s musical style, from the other worldly ambience of Supervoid to the rhythmic winding of Thusness and the heads down floor tunnel of Sattva.

At a time when electronic music is becoming less adventurous as a whole, Lemna represents a beacon of intrigue.

credits

released October 25, 2019

Mastered and cut by Andy Miles at Stardelta Audio Mastering
Art / Design by Ryan Quinlivan

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Lemna Japan

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